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Image Scanning & Archival

Access For Clients Big & Small

  • Image Scanning For All Film Sizes

  • Flatbed & Camera Scanning

  • Image Restoration

  • Color Correction

  • Colorizing

  • Fragile Photographic Materials

  • Color Calibration

  • FADGI 4-star guidelines

Experience Matters

Images Scanned: 35K+

Videos Restored: 300+  

Only The Best Quality

Jesse has worked with several organizations and dozens of personal clients all with the aim of scanning and restoring old footage, photographs, and audio recordings.

 

In 2020 Jesse took on his largest project yet at The Volcano Art Center (501(c) 3)  digitizing and restoring its entire 50 year archive resulting with nearly 20,000 images, and over 150+ video and audio recordings from multiple artists. The goal was to restore the work as it was intended to be displayed by the original artists. This extensive effort culminated in the Volcano Art Center's Heritage and Archival Program and received funding through the State of Hawaii's SFCA.

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200% Zoomed In

Repaired 40 year old film with scratch damage and mold spots.

  • B&W 35mm film source scanned at 2800 DPI.

  • Restoration with Capture One and Photoshop.

Image Scanning Prices

$1.50 Paper Photos (up to 8x10)

$1.00 35mm Color Slides (paper or plastic)

$1.00 35mm Positives, Negatives, Color or B&W

$2.00 120 Positives, Negatives, Color or B&W

$3.00 220 Positives, Negatives, Color or B&W

$10.00 Large Format Positives, Negatives, Color or B&W

$20 Per Hour: Image Restoration, Color Correction

$10.00: USB File Delivery

Minimum $50 Charge On All Scanning Services

3D Scanning

Why do a 3D scan? It's precise!

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Our 3D scans help create precise digital models of physical objects. We primarily do 3D scans for product design, art, creative design and digital archiving.

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Our 3D scanner is a Creality Otter capable of: 

  • Up to 0.02mm Accuracy

  • 24-Bit Full-Color Scanning

  • Objects between 10-2000mm

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Photogrammetry

Photogrammetry creates 3D scans by using high quality images to create 3D measurements from 2D photographs.

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The higher quality an image is, the better the result. Jesse uses a Phase One IQ250 camera system with Phase One and Schneider lenses accompanied by Profoto lighting to ensure the best color consistency, and the sharpest possible images, for the best end result.

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Phase One IQ250 is capable of: 

  • 50 Megapixels

  • 16-Bit RAW

  • 68 percent Larger Camera Sensor (As compared to Full Frame 35mm DSLRs)

  • 14+ Stop Range

Trained On Industry Leading Equipment

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© 2026 by Toxikc Colour Visuals L.L.C.

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